Ballet Victoria, British Columbia’s only professional classical ballet company, continues to redefine the boundaries of the art form while nurturing the next generation of extraordinary talent. Under the leadership of Artistic Director Paul Destrooper, this boutique company of 14 dancers has steadily evolved from a regional ensemble into a respected international arts organization, acclaimed for its daring productions and dedication to technical excellence.
The 2025-26 season promises to be one of Ballet Victoria’s most ambitious yet, opening in October with a world-premiere full-length ballet, Aladdin. Conceived as a family experience blending drama and humour, Aladdin will showcase the company’s hallmark artistry and the formidable technique of its dancers. Later in the year, audiences can look forward to the beloved holiday tradition, The Gift of the Nutcracker, presented with the Victoria Symphony. This perennial favourite, enriched with new elements each season, consistently fills theatres and warms spirits across the Capital Region.
March will see the company exploring bold artistic terrain with a striking program featuring The Rite of Spring, alongside a new creation by Artist in Residence Andrea Bayne. The season concludes in May with a whimsical production of Alice in Wonderland, inviting audiences to rediscover the childlike wonder that ballet can evoke.
While Ballet Victoria’s repertoire continues to expand, it is the dancers themselves who embody the company’s commitment to growth and innovation. Two of these artists, Kaylie Conner and Isabelle Jutras, have emerged as shining examples of Ballet Victoria’s dedication to developing young talent.
Originally from Vancouver, Kaylie Conner joined Ballet Victoria in 2019. Recognized early for her exceptional dedication, she became the first recipient of the Rosemarie Liscum Award for Emerging Artists in 2022. Known for her long, fluid lines and striking flexibility, Kaylie brings an expressive dramatic presence to every performance. Her interpretations of Vivaldi’s Four Seasons, Carmina Burana, and Frankenstein have captivated audiences and critics alike.
Isabelle Jutras, born in Québec, has likewise distinguished herself since joining the company in 2019. Trained in ballet, jazz, contemporary, and musical theatre, she quickly rose to prominence, performing leading roles such as the Sugar Plum Fairy in Nutcracker, Giselle in Frankenstein, and a memorable pas de deux in Bolero. Isabelle’s refined technique, radiant stage presence, and natural affinity for partnering have made her an audience favourite and a respected leader within the company. In addition to her performance work, she is a gifted teacher, generously sharing her knowledge with students at the Ballet Victoria Conservatory.
Through the artistry and dedication of dancers like Kaylie and Isabelle, Ballet Victoria continues to enrich the Canadian ballet milieu, serving as a cultural ambassador for Victoria and beyond. As the company prepares to bring its newest creations to life, it remains committed to fostering an environment where young artists grow into seasoned performers—ensuring that ballet remains vibrant, relevant, and accessible for generations to come.